![]() So putting a hairpin under a sustained note in strings or winds with will have no effect.Īnyway, there's not really one answer to your question. I think immediate dynamics are recognized and played back okay, but only for velocity based instruments like piano and percussion, but gradual dynamics aren't played back corectly by Studio One. Studio One has a pretty decent score editor: Notion light, so to speak, but of course not as good as the big names in notation land and it does not chase dynamics like Cubase does (yet). And you can do a lot more, too:Ĭlick to expand.For me it's the same: a DAW is a great tool in the right hands, but I work so much faster with notation instead of a piano roll. Yes, but you can do this in less time than it takes to apply global track offset in Cubase. What Dorico allows you to do with track offset today is already infinitely more sophisticated. ![]() However, this feature in Cubase is rather crude - as you say the price of it is you to route longs and shorts to different channels in order to differentiate them. Right now, you cannot set a track delay value like in Cubase, and yes it would be great to have that in Expression Maps. This allows for a different workflow in terms of speed (Dorico can be as fast or faster than Cubase) and granularity (like the offset - track or note). ![]() This dictates the workflow for everything that follows.īut in Dorico, the Write Mode is basically a project-wide MIDI editor and the project window at the same time. Project Window is great for comping, but for track-level editing of MIDI or audio you need to open the track individually. In Cubase, we have the project window showing all tracks and then the MIDI editor that is either per track or per the selected number of tracks. I should say that one of the most useful things for me personally was the realization that I do not have think of Dorico in the same terms and categories as Cubase and apply the same workflow mentality in order to achieve the same goals. The MIDI goes into VEPro, which is the instrument server - but I have read that other people have used Cubase as VEPro so you probably can use Nuendo for that too. ![]() So it's even easier because you don't need to remember the sequence any longer.Ĭlick to expand.I conceptualize Dorico as my MIDI only component, containing the score itself and the individual MIDI performances of the parts. And now in Dorico 4 you can create an "alias" (a key command for the key command) that you can invoke directly from the Jump Bar. The key commands in Dorico are out of this world because you can string them together to perform a macro-like operation in one go. I can shape the musical phrase itself individually (again, on 1 staff or on every staff - simultaneously) - for example, making the first note in legato passage have different offset then subsequent notes. It's a lot faster than clicking track by track in Cubase. What's more - I can select that phrase in all instruments playing it (vertically) and apply the offset at the same time. I can select only the musical phrase that I need (fast, slow, legatos, staccatos, etc), use the same key command and apply individual track offsets to the articulation used (e.g. I have a custom key command for this (Ctrl+A+F+N) and I just need to select 1 note on a staff with a mouse. with a key command, I can select all notes on the entire the staff and apply playback Start and/or playback End offset - or both. Click to expand.Yes, but you can do this in less time than it takes to apply global track offset in Cubase.
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